Web Design Theory
When I saw a Web page for the first time back in 1996, I was overwhelmed. So much information, so little focus. In an earlier pre-Internet era, this would have been called a "Circus layout," suggestive of a Barnum & Bailey "three-ring circus" — long a synonym for a confused, incoherent presentation.
I have not forgotten that first impression, or the thousands of other low quality Web pages I've seen since then. I still get a gag reflex when I see huge, uneven, ragged holes of white space between blocks of content rendered in almost unreadable tiny text obviously meant more for search engines than human eyes, scrolling infinitely down to some place on the other side of China.
And what is with this perpetual scrolling? More than 500 years since the invention of the Gutenberg press — when the single page became the standard unit of presentation — are we reverting back to the method used by Moses, Pharoah Ramses and the ancient Egyptians?
So why are we devolving like this? Just because we can, or because we don't know any better? Most likely the latter, and it's for this reason that I decided to develop a Web Design Theory of my own.
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This may not be the best approach to Web design. It may not even apply to certain kinds of content. But it beats the circus layout, the random white space and lack of focus I've seen in all too many Web pages.
Let me begin by restoring the single page as the unit of presentation, assuming that there is just so much information the human brain can grasp in the minute or so most people spend viewing Web pages. In a single page design, the main body of information goes into a central Content Area. Navigation between general categories is handled by Navigation Tabs at the top. Information within each general category is accessed through a Left Hand Panel of links.
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